一不小心溜进了母亲的生命里 HD中字

片名:《一不小心溜进了母亲的生命里》

类型:爱情片

上映时间:1972

上映地区:其它

导演:翁贝托·伦齐

主演:卡罗尔·贝克,艾伦·斯科特

集数: 更新至0集

语言:其它

【发现美影视】提供的爱情片一不小心溜进了母亲的生命里带给观众不一样的视听体验，首先是一不小心溜进了母亲的生命里的场景构图宏大震撼，其次一不小心溜进了母亲的生命里的音乐配乐生动鲜活；一不小心溜进了母亲的生命里拿到8.0的高分，足以证明一不小心溜进了母亲的生命里受观众喜爱的程度。

《一不小心溜进了母亲的生命里》观后点评：一不小心溜进了母亲的生命里的音乐配乐好听极了，一不小心溜进了母亲的生命里的演员卡罗尔·贝克,艾伦·斯科特都很出彩，他们每个人在自己的位置上都充分表达了角色的性格和特征，是1972年不得多的好电影。

《一不小心溜进了母亲的生命里》抖音网友点评：一不小心溜进了母亲的生命里在其它地区上映并受到欢迎，一不小心溜进了母亲的生命里的剧情跌宕起伏令人印象深刻，尤其是一不小心溜进了母亲的生命里的演员卡罗尔·贝克,艾伦·斯科特精彩的演绎，加上一不小心溜进了母亲的生命里优美的音乐配乐，让人更是念念不忘。

一不小心溜进了母亲的生命里的剧情讲述了：This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.  Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.  One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.