片名:《马隆布拉[电影解说]》
类型:短剧
上映时间:1942
上映地区:其它
导演:Mario Soldati
主演:Isa Miranda,Andrea Checchi,Irasema Dilián,Gualtiero Tumiati,Nino Crisman,Enzo Biliotti,Ada Dondini,Giacinto Molteni,Corrado Racca,Luigi Pavese,Nando Tamberlani,Doretta Sestan,Paolo Bonecchi,Elvira Bon
集数: 更新至0集
语言:
【发现美影视】提供的短剧马隆布拉[电影解说]带给观众不一样的视听体验，首先是马隆布拉[电影解说]的场景构图宏大震撼，其次马隆布拉[电影解说]的音乐配乐生动鲜活；马隆布拉[电影解说]拿到10.0的高分，足以证明马隆布拉[电影解说]受观众喜爱的程度。
《马隆布拉[电影解说]》观后点评：马隆布拉[电影解说]的音乐配乐好听极了，马隆布拉[电影解说]的演员Isa Miranda,Andrea Checchi,Irasema Dilián,Gualtiero Tumiati,Nino Crisman,Enzo Biliotti,Ada Dondini,Giacinto Molteni,Corrado Racca,Luigi Pavese,Nando Tamberlani,Doretta Sestan,Paolo Bonecchi,Elvira Bon都很出彩，他们每个人在自己的位置上都充分表达了角色的性格和特征，是1942年不得多的好短剧。
《马隆布拉[电影解说]》抖音网友点评：马隆布拉[电影解说]在其它地区上映并受到欢迎，马隆布拉[电影解说]的剧情跌宕起伏令人印象深刻，尤其是马隆布拉[电影解说]的演员Isa Miranda,Andrea Checchi,Irasema Dilián,Gualtiero Tumiati,Nino Crisman,Enzo Biliotti,Ada Dondini,Giacinto Molteni,Corrado Racca,Luigi Pavese,Nando Tamberlani,Doretta Sestan,Paolo Bonecchi,Elvira Bon精彩的演绎，加上马隆布拉[电影解说]优美的音乐配乐，让人更是念念不忘。
马隆布拉[电影解说]的剧情讲述了：This utterly gorgeous Gothic melodrama would be widely hailed as a masterpiece, had it not been made in Italy during the Mussolini regime. A gross injustice, as Malombra - unlike Piccolo Mondo Antico, Mario Soldati's earlier film of an Antonio Fogazzaro novel - contains not one moment of triumphalist flag-waving or Fascist family values. Oddly akin to Rebecca in its atmosphere of death-haunted romance and voluptuous doom, it reaches a peak of visual refinement of which Hitchcock could only dream. Its star is Isa Miranda (famous, and not without reason, as Italy's answer to Garbo and Dietrich) playing a headstrong but unstable young noblewoman, confined by her uncle to a gloomy villa on the shores of Lake Como. A yellowed and crumbling letter, found in an old spinet, convinces her that she is the reincarnation of her uncle's first wife - another troubled beauty who died a virtual prisoner after being caught in a forbidden love affair. When a handsome young writer (Andrea Checchi) comes to stay, Miranda decides that HE is the reincarnation of the dead woman's lover. Gradually, she lures him into her web of sex and revenge... What more to say without spoiling the fun Miranda gives a performance to rival any of the great divas of Hollywood. Only Davis and Stanwyck, perhaps, could play a bad girl so boldly without losing all sympathy. The evocation of 19th century aristocracy, in its full decadent splendour, is visually and dramatically flawless - a model for such later Italian gems as Visconti's Senso and The Innocent. It helped, perhaps, that Soldati himself was a leading novelist. Blessed with an absolute respect for the classics he adapted, but in no way inhibited by them. He was also the guiding spirit of the now-forgotten 'calligraphic' movement, which brought the Italian cinema to such wondrous aesthetic heights during World War Two, only to collapse before the horror of Neo-Realism. Can we blame Soldati for giving up film-making in disgust and going back to writing novels So if you've ever felt (as I do) that Rossellini's much-touted Rome - Open City is the work of an amateur...well, Malombra is the film you have to see!Copyright © 2015-2020 All Rights Reserved
