没有和解 已完结

片名:《没有和解》

类型:剧情片

上映时间:1965

上映地区:其它

导演:让-马里·斯特劳布,达尼埃尔·于伊耶

主演:Heinrich,Hargesheimer,Carlheinz,Hargesheimer,Martha,Staendner,达尼埃尔·于伊耶,Henning,Harmssen,Ulrich,Hopmann,Joachim,Weiler,Eva-Maria,Bold,Hiltraud,Wegener,Ulrich,von,Thüna,Ernst,Kutzinski,Karl,Bodenschatz,

集数: 更新至0集

语言:其它

【发现美影视】提供的剧情片没有和解带给观众不一样的视听体验，首先是没有和解的场景构图宏大震撼，其次没有和解的音乐配乐生动鲜活；没有和解拿到9.0的高分，足以证明没有和解受观众喜爱的程度。

《没有和解》观后点评：没有和解的音乐配乐好听极了，没有和解的演员Heinrich,Hargesheimer,Carlheinz,Hargesheimer,Martha,Staendner,达尼埃尔·于伊耶,Henning,Harmssen,Ulrich,Hopmann,Joachim,Weiler,Eva-Maria,Bold,Hiltraud,Wegener,Ulrich,von,Thüna,Ernst,Kutzinski,Karl,Bodenschatz,都很出彩，他们每个人在自己的位置上都充分表达了角色的性格和特征，是1965年不得多的好电影。

《没有和解》抖音网友点评：没有和解在其它地区上映并受到欢迎，没有和解的剧情跌宕起伏令人印象深刻，尤其是没有和解的演员Heinrich,Hargesheimer,Carlheinz,Hargesheimer,Martha,Staendner,达尼埃尔·于伊耶,Henning,Harmssen,Ulrich,Hopmann,Joachim,Weiler,Eva-Maria,Bold,Hiltraud,Wegener,Ulrich,von,Thüna,Ernst,Kutzinski,Karl,Bodenschatz,精彩的演绎，加上没有和解优美的音乐配乐，让人更是念念不忘。

没有和解的剧情讲述了：The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.